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Thảo luận trong 'Nhạc quốc tế' bắt đầu bởi overkillx, 15/2/13.

  1. sanghiem

    sanghiem Member

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    Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

    John Coltrane - Blue Train

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    Chúc bác overkillx năm mới sức khỏe, tiện thể nhờ bác úp lại giùm em album này với nhá, link nó bị die mất tiêu rồi.\
    Cảm ơn bác!
     
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  2. khoanv

    khoanv Member

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    Chúc bác Overkillx một năm mới tràn đầy sức khỏe và nhiệt huyết, mong bác tiếp tục mang đến những món quà âm nhạc quý giá cho mọi người.
     
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  3. digitalosin

    digitalosin Member

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    Chúc bác O K năm mới khỏe và có nhiều album hay chia sẻ với anh em. Bộ sưu tập mà bác up có lẽ chất lượng tốt nhất trên HDvietnam tính đến thời điểm này. Cả một gia tài đây. :D
     
  4. overkillx

    overkillx Huyền Thoại

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    Thanks tất cả các bác

    Mình biết là có nhiều album chết link rồi nhưng lúc này mình dự định sẽ up hết những album đang có đã sau đó mới có thể re-up nên có lẽ bác phải đợi đến lúc đó hoặc đợi bác nào re-up giúp vậy
     
  5. drawing_blanks

    drawing_blanks Member

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    mấy bác làm ơn up lại lên fs dùm mình cai này nha. cám ơn Gary Clark Jr. - Blak and Blu
     
  6. vinny

    vinny Member

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    Chúc bác Overkillx năm mới sức khoẻ, hạnh phúc và tài lộc. Cám ơn bác đã chia sẽ rất nhiều những album hay.
     
  7. sanghiem

    sanghiem Member

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    Thế thì đơi tin bác vậy
     
  8. overkillx

    overkillx Huyền Thoại

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    Christophe Rousset - Jacques Duphly: Pieces de clavecin

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Baroque
    Time: 127:42 minutes
    Size: 2.81 GB (5% Recovery)
    Year: 2011
    Source: Qobuz.com

    Christophe Rousset's performances as a harpsichordist had soon attracted the attention of the international press as well as record companies. Lighting this orchestra in fire with his enthusiasm as a conductor and researcher, he was soon among the front runners of Baroque, acclaimed in the world. Through this recording Christophe Rousset has attempted to restore the virility of Jacques Duphy's compositions as well as the severity of some features, the sincerity of the composer’s gesture, all this greatly inspired by the beautiful sound of the Kroll harpsichord, kindly made available to us by its owner and restorer Marc Ducornet.

    Tracklist:

    01 - La Forqueray (Troisieme livre de pieces de clavecin, 1756)
    02 - Chaconne en fa (Troisieme livre de pieces de clavecin, 1756)
    03 - Medee (Troisieme livre de pieces de clavecin, 1756)
    04 - Allemande en do mineur (Premier livre de pieces de clavecin, 1744)
    05 - Courante la Boucon (Premier livre de pieces de clavecin, 1744)
    06 - Rondeau en do (Premier livre de pieces de clavecin, 1744)
    07 - La Millettina (Premier livre de pieces de clavecin, 1744)
    08 - Rondeau la Pothouin (Quatrieme livre de pieces de clavecin, 1768)
    09 - La Victoire (Quatrieme livre de pieces de clavecin, 1768)
    10 - Rondeau en re mineur (Premier livre de pieces de clavecin, 1744)
    11 - La Damanzy (Second livre de pieces de clavecin, 1748)
    12 - La Cazamajor (Premier livre de pieces de clavecin, 1744)
    13 - La Felix (Second livre de pieces de clavecin, 1748)
    14 - La de Vatre (Second livre de pieces de clavecin, 1748)
    15 - Allemande en re mineur (Premier livre de pieces de clavecin, 1744)
    16 - Courante en re mineur (Premier livre de pieces de clavecin, 1744)
    17 - Les Graces (Troisieme livre de pieces de clavecin, 1756)
    18 - La Vanlo (Premier livre de pieces de clavecin, 1744)
    19 - Rondeau (Premier livre de pieces de clavecin, 1744)
    20 - La Tribolet (Premier livre de pieces de clavecin, 1744)
    21 - La du Buq (Quatrieme livre de pieces de clavecin, 1768)
    22 - La D`Hericourt (Second livre de pieces de clavecin, 1748)
    23 - La de Guyon (Troisieme livre de pieces de clavecin, 1756)
    24 - La de Drummond (Quatrieme livre de pieces de clavecin, 1768)
    25 - La Lanza (Second livre de pieces de clavecin, 1748)
    26 - Les Colombes (Second livre de pieces de clavecin, 1748)
    27 - La de Chamlay (Troisieme livre de pieces de clavecin, 1756)​

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  9. overkillx

    overkillx Huyền Thoại

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    Jacqueline du Pré / English Chamber Orchestra - Haydn & Boccherini: Cello Concertos

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 48:49 minutes
    Size: 1.01 GB (5% Recovery)
    Year: 1967 (2011 Remaster)
    Source: HDTracks.com

    This pivotal recording features classic performances of late eighteenth-century cello concertos, one by Haydn and Friedrich Grutzmacher’s 1895 arrangement of Boccherini’s work in B flat. The album demonstrates the enormous gifts of Jacqueline du Pre. Recorded in London in 1967, Jacqueline du Pre is accompanied by her husband Daniel Barenboim and the English Chamber Orchestra.

    Tracklist:

    01 - Cello Concerto No. 1 in C, Hob. VIIb:1: I. Moderato - Cadenza
    02 - Cello Concerto No. 1 in C, Hob. VIIb:1: II. Adagio - Cadenza
    03 - Cello Concerto No. 1 in C, Hob. VIIb:1: III. Allegro molto
    04 - Cello Concerto in B Flat: I. Allegro moderato - Cadenza
    05 - Cello Concerto in B Flat: II. Adagio non troppo
    06 - Cello Concerto in B Flat: III. Rondo (Allegro) - Cadenza

     
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  10. overkillx

    overkillx Huyền Thoại

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    Lev Vinocour - Oh! Chante Encore!: Piano Music by Peter Tchaikovsky

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    Format: FLAC (tracks) 24 bit/88,2 kHz
    Genre: Classical
    Time: 77:09 minutes
    Size: 1.06 GB (5% Recovery)
    Year: 2006
    Source: HDTracks.com

    As the creator of piano Peter Tchaikovsky in the West have become less well known than as Symphony or opera composer, are what may also remember that he has written besides a great Piano Sonata in practice only small character pieces and "Songs without Words" in the Russian romance style - which offer little incentive for sparkling virtuosity. For Lev Vinocour was an incentive to imagine the composer Tchaikovsky piano with his best series, the "seasons" and a selection of unknown internal and external processing.

    Tracklist:

    01 - Polonaise
    02 - Berceuse, Op.16 No.1
    03 - Oh! Chante Encore!, Op.16-4
    04 - Qu'importe, Op.16 No.5
    05 - Perpetuum mobile
    06 - The Seasons, Op.37bis No.1: January
    07 - The Seasons, Op.37bis No.2: February
    08 - The Seasons, Op.37bis No.3: March
    09 - The Seasons, Op.37bis No.4: April
    10 - The Seasons, Op.37bis No.5: May
    11 - The Seasons, Op.37bis No.6: June
    12 - The Seasons, Op.37bis No.7: July
    13 - The Seasons, Op.37bis No.8: August
    14 - The Seasons, Op.37bis No.9: September
    15 - The Seasons, Op.37bis No.10: October
    16 - The Seasons, Op.37bis No.11: November
    17 - The Seasons, Op.37bis No.12: December
    18 - Doumka, Op.59​
     
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  11. overkillx

    overkillx Huyền Thoại

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    Palladians - The Devil's Trill - Sonatas by Giuseppe Tartini

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    Format: FLAC (tracks) 24 bit/88,2 kHz
    Genre: Classical
    Time: 62:01 minutes
    Size: 1.15 GB (5% Recovery)
    Year: 2008
    Source: LinnRecords.com

    The Devil's Trill

    Around 1700, Northern Europe was deluged with Italian violin music and players. Engraving made printed music cheaper, and economic collapse throughout the Italian peninsula made the more stable north look like the ‘Promised Land'. The stage was set for a musical invasion by a host of indigent virtuosi and stay-at-home composers, all of whose surnames seemingly end with the letter ‘i'.

    Today's listener can be forgiven for being bewildered and even benumbed by Nardini, Carbonelli, Locatelli, Tartini, Veracini, Pugnani and the like, but digging a little deeper reveals much interesting and individual music, and even a few real masterpieces. Of course most of this music is frothy nonsense, either doggerel written for the amateur market, or exhilarating, but empty, concert fodder designed to amaze the masses. Not everyone was enthusiastic - witness the sceptical connoisseur Roger North in his rant on Italian virtuoso fiddlers (thought to be inspired by a performance by the Florentine violinist Veracini at the Haymarket Theatre in London - more on Veracini later.):

    ‘...no better than insane; for sometimes they run, then they start, then they chatter, and not seldom fall into a whistling way of high arpeggio, much prized for the difficulty of handling, and then coming a little to themselves, incline to sleep out a short adagio, after which, stand clear; for tripla comes, and tripla upon that, and devision upon that, with snappes upon snaps like a dog in distraction. And after all ends with what should be a dance called a jigg, but so swift, that no living man can run so fast as the measure is; it is impossible for a dancer to keep such time, and his whole action must be running about like a madman... And many persons that doe not well distinguish between real good and evill, but are hurryed away by caprice, as in a whirlwind, think such music is the best; and despise those who are not of the same opinion and [as the rabble] crye, It is brave sport... And as to these, in naming Vivaldi, (tho' he hath his fellows) I have instanced enough.'

    Since the invention of the violin, its players have been preoccupied with the challenge of playing higher and higher (North's ‘whistling way') and one could construct an amusing chart of ascending pitch (Ucellini, 1658 d", Bertali 1670 e" etc) that would resemble those claims by Arctic explorers of who could achieve the farthest North World Record in degrees until the North Pole was reached. Nowadays, of course, the second desk of orchestral violins routinely play higher - in a Shostakovich symphony for instance - than any eighteenth century virtuoso ever did, much in the manner that one can now book a luxury cruise liner to the Arctic - such is the fugitive nature of human endeavour and achievement.

    One musician immune to the attractions of this violinistic Absolute North however, was Giuseppe Tartini (1692-1770). Famed throughout Europe as a pre-eminent virtuoso, he shunned publicity and was a private, even secretive man, passionately interested in astronomy, fencing and acoustics as well as music. Something of his character is revealed in the fact that many of his manuscripts were annotated in a secret code (deciphered only in 1935) concealing mottos and fragments of poetry by Metastasio, Petrarch and Tasso. Of the two programmatic sonatas recorded here ‘Didone abandonata' is only described so in the autograph - in the published version it is simply Op.1 No.10, whilst The Devil's Trill was only published posthumously. Thus, for Tartini, programmatic elements and sources of inspiration were matters to be kept private rather than trumpeted forth, the exact opposite of a canny Vivaldian marketing strategy.

    While his works are often extraordinarily difficult, their virtuosity rises out of a desire to express rather than amaze; here a lightening quick leap of the bow to portray the fury of a princess scorned; there a fiendishly painful trill to mimic diabolical laughter. It is this intense pictorial inward gaze which seems at least as strong as his desire to create ‘brave sport' that sets him somewhat apart from his colleagues.

    Tartini's most famous work is undoubtedly The Devil's Sonata (known popularly as The Devil's Trill after the infamous passage in the last movement - described rather wonderfully in the score as ‘Devil's Trill at the foot of the bed'). Not only was the work suppressed in Tartini's lifetime but the very first account of the story behind it was only printed after his death:

    ‘One night I dreamt that I had made a pact with the devil; he was my servant and anticipated my every wish. I had the idea of giving him my violin to see if he might play me some pretty tunes (beaux aires), but imagine my astonishment when I heard a sonata so unusual and so beautiful, performed with such mastery and intelligence, on a level I had never before conceived was possible! I was so overcome that I stopped breathing and awoke gasping. Immediately I seized my violin, hoping to recall some shred of what I had just heard - but in vain. The piece I then composed is without a doubt my best, and I still call it The Devil's Sonata, but it falls so short of the one that stunned me that I would have smashed my violin and given up music forever if I could but have possessed it.'

    Tartini to J.J. Lalande. Voyage d'un Francais en Italie (1765-6).

    While The Devil's Sonata is a deservedly celebrated masterpiece - a triumph of imagination which has never left the repertory, in my view the lesser known work ‘Didone abandonata' is possibly an even more extraordinary achievement. As a psychological study of abandonment, rage and despair it ranks easily alongside similar works by Monteverdi, Charpentier, and Purcell. The first movement is the most conventional - a searching aria in which the violin sings alternately of melancholy longing, memories of past happiness, and hopes for the future. The brief second movement vividly portrays the brain-lacerating fury of the abandoned Dido as she realizes that Aeneas is really not coming back. After this explosion, the final movement is Tartini's masterstroke - an inconsequential scrap of melody so bleak and bereft that one can really feel the immanence of an impending suicide. Something which, in my opinion, for all its musical genius, Dido's Lament in Purcell's opera fails to achieve. For equivalent insight into such an extreme mental state, we need either to look back to Lear or forward to Beckett.

    A crucial event for the young Tartini was his meeting with the virtuoso Francesco Maria Veracini. He was so overwhelmed by the Florentine's amazing bow technique that he withdrew from the public (and temporarily abandoned his wife) for a period of solitary practice, re-emerging with a longer bow, thicker strings and a new and wonderful control of cantabile playing.

    The powerful forces of market distribution, i.e. the single composer bins in record stores, make us reluctant to adulterate our Tartinian product with too much foreign material but we couldn't resist giving our listeners just an idea of Veracini's style - so important to, but different from Tartini's own. Thus we've dared to include a sonata from Veracini's Opus 1. It illustrates, in the opening and fourth movements, his special cantabile and elsewhere, especially in the whirlwind finale, the sort of barnstorming virtuosity and lust for the heights that (pace North) created a storm of success in England, leading to the popular toast ‘One God, One King, and One Veracini!' Of course Tartini composed lighter works as well, and the 'Pastorale' which closes his Opus 1 is a fine example. It conjures up an idyllic countryside with its evocation of droning shepherd's pipes and tambour and the violin is given a unique silvery resonance by the clever trick of tuning the bottom two strings up a tone.

    A very important friend and colleague of Tartini's was the cello and bass viol player Antonio Vandini. They played together in the orchestra of the Cathedral of Padua - where Tartini was concertmaster - for about 50 years. They shared a house in their twilight years after the death of Tartini's wife, and they travelled together to Prague and Vienna where they were invited to perform in the festivities for the coronation of Charles VI in 1723. The two were known to have played together without any help from a keyboard or lute (an Italian practice strongly condemned about this time by C.P.E. Bach) and we've presented the Largo from Op.1 No.5 in this way, so the listener can hear the intimacy this approach allows.

    We take our leave of Tartini with a slow movement from one of the viol concertos written for Vandini - Grave in D minor. The orchestral accompaniment here is so restrained, probably to allow the subtlety of the viol to come through, that all the notes can be easily accommodated on the archlute. Tartini is in the next room, listening through the door, or perhaps dozing over one of his increasingly dotty essays on acoustics. Or is it just possible that he's sitting there, brow furrowed, in front of a blank sheet of manuscript paper, trying in vain for the thousandth time, the millionth time, to remember the sounds of that incomparable, infernal dream? © William Carter, London, 2007

    Tracklist:

    01-03 Sonata in G minor, Op.1 No.4 'The Devil's Trill'
    04-06 Sonata in G minor, Op.1 No.10 'Didone abbandonata'
    07-11 Sonata in A major, Op.1 No.7
    12 Sonata in E minor, Op.1 No.5 - Largo
    13-16 Sonata in A major, Op.1 No.13 'Pastorale'

    Recorded at St Andrew's Church, Toddington UK 6th-8th November 2006
    Engineered by Philip Hobb​
     
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  12. overkillx

    overkillx Huyền Thoại

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    Magnificat - Thomas Tallis: Spem in Alium / Lamentations / Mass & Motets

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 67:22 minutes
    Size: 1.35 GB (5% Recovery)
    Year: 2004
    Source: LinnRecords.com

    The vocal ensemble Magnificat specializes in music of post-Reformation England and late 16th century Spain. This is a simply spectacular performance which earned the recording a Gramophone 'Editor's Choice' plaudit.

    Tracklist:

    01 - Te lucis ante terminum
    02 - Salvator mundi
    03 - Spem in alium
    04 - In iejunio et fletu
    05 - O Salutaris hostia
    06 - Lamentations I
    07 - Lamentations II
    08 - Miserere
    09 - Mass for 4 voices Gloria
    10 - Credo
    11 - Sanctus
    12 - Benedictus
    13 - Agnus Dei

    Produced by Ben Turner.​

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  13. co1972nguyen

    co1972nguyen Well-Known Member

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    Chỉ có nơi này không ai than phiền chất lượng Bác nhỉ!!!! hàng toàn >1GB lấy đâu chê chất lượng
     
  14. overkillx

    overkillx Huyền Thoại

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    Gillian Weir - Poulenc Concerto For Organ

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    Format: FLAC (tracks) 24 bit/88,2 kHz
    Genre: Classical
    Time: 59:07 minutes
    Size: 1.09 GB (5% Recovery)
    Year: 2007
    Source: LinnRecords.com

    In the 250 years since the death of Handel, the Organ Concerto of Francis Poulenc is the only work of its kind which has established a place in the standard concert repertoire. This is an extraordinary situation in itself, and it becomes even more extraordinary on closer inspection, for this was an uncharacteristic work composed for an unexpected medium by the most unlikely composer....

    Tracklist:

    01 - Concerto For Organ, Strings & Timpani in G minor
    02 - Concertino for Organ, Strings & Percussion Allegro
    03 - Tres Lent
    04 - Modere
    05 - Toccata Festiva op. 36​
     
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  15. overkillx

    overkillx Huyền Thoại

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    Jerry Junkin & Dallas Wind Symphony - Crown Imperial: Festive Music for Organ, Winds, Brass & Percussion

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Classical
    Time: 70:22 minutes
    Size: 1.30 GB (5% Recovery)
    Year: 2007
    Source: HDTracks.com

    One of RR’s all-time bestsellers, and an audiophile touchstone, is Pomp & Pipes!, our first foray into the magnificent repertoire for organ and wind band. In the fourteen years since, we’ve had many requests for “more!”, and here it is, a program that’s at least as exhilarating.

    Tracklist:

    01 - Richard Strauss: Festival Intrada
    02 - Giovanni Gabrieli: Canzon Primi Toni
    03 - William Walton: Crown Imperial
    04 - Henri Tomasi: Procession du Vendredi-Saint
    05 - Percy Grainger: County Derry Air
    06 - Richard Wagner: Elsa's Procession to the Cathedral
    07 - Paul Hindemith: Kammermusik #7
    08 - Michael Daugherty: Niagara Falls​

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  16. overkillx

    overkillx Huyền Thoại

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    The Prince Consort - Ned Rorem: On An Echoing Road

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    Format: FLAC (tracks) 24 bit/192 kHz
    Genre: Classical
    Time: 56:37 minutes
    Size: 1.97 GB (5% Recovery)
    Year: 2009
    Source: LinnRecords.com

    Ned Rorem is one of the most widely-recorded living American composers, who Time Magazine called 'the world's best composer of art songs', with over 500 songs to his name. The Prince Consort is fast emerging as a fresh, exciting and versatile ensemble. Their performances are characterised by wide-ranging programmes and polished presentation, which showcase different combinations of voice and piano, from solos to small groups in piano-accompanied song. If you want a single-disc introduction to this very fine and important composer of songs you can't do better than this disc by this fine ensemble.

    Tracklist:

    01 - Early in the morning
    02 - Are you the new person drawn toward me?
    03 - Rain in Spring
    04 - For Susan
    05 - Stopping by Woods on a Snowy Evening
    06 - Jeanie with the light brown hair
    07 - To a young girl
    08 - Catullus: On the burial of his brother
    09 - Requiescat
    10 - I will always love you
    11 - That shadow, my likeness
    12 - On an echoing road
    13 - I strolled across an open field
    14 - Alleluia
    15 - Little Elegy
    16 - Sometimes with one I love
    17 - Hymn for Evening
    18 - Orchids
    19 - On a singing girl
    20 - Now sleeps the crimson petal
    21 - What if some little pain
    22 - Look down, fair moon
    23 - The Rainbow
    24 - Do I love you more than a day?
    25 - Their lonely betters
    26 - Do not love too long
    27 - Comment on War
    28 - The Serpent
    29 - Full of life now

    Produced by John Fraser. Engineered by Philip Hobbs.
    Recorded at Potton Hall, UK, 10 - 13 February 2009.
    Post-production by Julia Thomas, Finesplice, U.K.​

    [​IMG]
    Nhấn nút Cảm ơn (dưới chân bài) để thấy link!
     
    Chỉnh sửa cuối: 15/8/14
    doan39 cảm ơn bài này.
  17. overkillx

    overkillx Huyền Thoại

    Tham gia ngày:
    15/5/09
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    Nơi ở:
    Tháp Rùa
    Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

    I Ching - Of The Marsh And The Moon

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    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: World
    Time: 52:18 minutes
    Size: 1.15 GB (5% Recovery)
    Year: 1996 (2003 Remaster)
    Source: HDTracks.com

    Take three Chinese musicians schooled in the ancient art of traditional music making. A tradition that evokes images of romance and mystery. Add the futuristic, yet always musical sound of a synthesizer and apply state-of-the-art Chesky sonic technology. The result? I Ching: Of The Marsh and The Moon. This instrumental recording offers melodies that are at times distressingly beautiful, rhythmically driving and lushly melodic. Featuring Sisi Chen playing the Yangqin (Chinese hammered dulcimer), Tao Chen on Chinese flute and Bao Li on Erhu (two stringed Chinese fiddle) with the synthesizer of Joel Goodman, this is World music meeting New Age. This is I Ching.

    Tracklist:

    01 - Tibet
    02 - Young Girl's Heart
    03 - Jasmine Flower
    04 - Silk Road
    05 - Running Water
    06 - The Three Rivers
    07 - Gadamaylin
    08 - Beauty Is Everywhere
    09 - In That Distant Place
    10 - Prayer
    11 - Birds Flying In The Sky​

    [​IMG]
    Nhấn nút Cảm ơn (dưới chân bài) để thấy link!
     
    Chỉnh sửa cuối: 26/11/14
  18. overkillx

    overkillx Huyền Thoại

    Tham gia ngày:
    15/5/09
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    9,456
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    Nơi ở:
    Tháp Rùa
    Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

    John Williams - Jurassic Park

    [​IMG]

    Format: FLAC (tracks) 24 bit/96 kHz
    Genre: Soundtrack
    Time: 81:19 minutes
    Size: 1.74 GB (5% Recovery)
    Year: 1993 (2013 Remaster)
    Source: HDTracks.com

    Legendary composer John Williams penned the monumental score for the blockbuster film Jurassic Park. The heavily orchestrated work will have listeners at the edge of their seats, capturing the collaborative brilliance of Williams and Spielberg. This twentieth anniversary edition includes the four bonus tracks personally selected by John Williams: “The History Lesson,” “Stalling Around,” “The Coming Storm” and “Hungry Raptor.” The soundtrack remains one of Williams’ greatest achievements and one of music’s finest scores. This is a quintessential must-have album.

    Tracklist:

    01 - Opening Titles
    02 - Theme from Jurassic Park
    03 - Incident at Isla Nublar
    04 - Journey to the Island
    05 - The Raptor Attack
    06 - Hatching Baby Raptor
    07 - Welcome to Jurassic Park
    08 - My Friend, the Brachiosaurus
    09 - Dennis Steals the Embryo
    10 - A Tree For My Bed
    11 - High-Wire Stunts
    12 - Remembering Petticoat Lane
    13 - Jurassic Park Gate
    14 - Eye to Eye
    15 - T-Rex Rescue & Finale
    16 - End Credits
    17 - The History Lesson [Bonus Track]
    18 - Stalling Around [Bonus Track]
    19 - The Coming Storm [Bonus Track]
    20 - Hungry Raptor [Bonus Track]​

    [​IMG]
    Nhấn nút Cảm ơn (dưới chân bài) để thấy link!
     
    Chỉnh sửa cuối: 10/1/15
    zizou_x, doan39 and hmo like this.
  19. sanghiem

    sanghiem Member

    Tham gia ngày:
    4/12/13
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    111
    Đã được cảm ơn:
    15
    Giới tính:
    Nam
    Web:
    Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

    Bác nào up lại giùm em album Robert Plant & Alison Krauss - Raising Sand này với, tìm mãi mà link bị die...
    cảm ơn các bác!
     
  20. Hodio

    Hodio Active Member

    Tham gia ngày:
    10/10/12
    Bài viết:
    36
    Đã được cảm ơn:
    228
    Re: Ðề: HD Music [FLAC] {High Definition 24 Bit Music Download}

    Link album này bị die rồi bác chủ ơi, cả album sau. Thanks for sharing!

     

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